The International Society of Assemblage and Collage Artists
Brushes, Hammers, Paste and Nails
In an effort to share, explore and expand upon the myriad studio practices found here at ISACA, please consider using this forum to post images and descriptions of the process you use to create your…Continue
Tags: virtual, subtractive, additive, process
Started this discussion. Last reply by ken coleman on Sunday.
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Todd Bartel left a comment for Olivier Valentin
Janice McDonald replied to Todd Bartel's discussion Collage Process
Todd Bartel replied to Todd Bartel's discussion Collage Process
Todd Bartel replied to Todd Bartel's discussion Collage Process
Todd Bartel replied to Todd Bartel's discussion Collage ProcessTodd Bartel received a BFA in painting from Rhode Island School of Design in 1985 and also studied in Rome as part of RISD’s European Honors Program between1984-1985. He achieved his MFA in Painting from Carnegie Mellon University in 1993. In 1990, Bartel was a recipient of the Jacob K. Javits Fellowship (U.S. Department of Education, Washington, D.C.) and in 2000, he was awarded a Connecticut Council on the Arts Fellowship Grant in support of the continuation of his drawing series, “Garden Studies” and related “Terra Reverentia” series. Bartel has taught at Harvard University, Brown University, Carnegie Mellon University, Manhattanville College and Bridgeport University. He has been a guest critic at Rhode Island School of Design, and Vermont College of Fine Arts. He lectured at the Alfred University, Chatham College, Western Connecticut State University and the New England Teaching Conference, among others. Currently, Bartel teaches drawing, painting, sculpture, installation art and conceptual art at the Cambridge School of Weston, Weston, MA. Bartel is a founder and the Director of the Cambridge School’s Thompson Gallery, a teaching gallery dedicated thematic inquiry, and “IS” a proposal-based installation gallery.
Todd Bartel is a dedicated collage artist. His work assumes assembled forms of painting, drawing and sculpture that examine the roles of landscape and nature in contemporary culture.
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Laurindo Feliciano said… I really love you work and your incredible technique!
Laurindo Feliciano said… Thank you Todd, nice to meet you... Have you a portfolio? I didn't find it here
Lili Francuz said… Hi Todd--thanks for your kind comment. The combination of history, landscape and materials you put together is worthy of many viewings. Lili
Gwenn Mayers said… Thanks, Todd. Love your work, especially intrigued by your materials, e.g. moose hair.
WIll post photo of my work when I can figure out the mechanics.
Gwenn
Cory Peeke said… Hi Todd, I wish I could say there was a guiding principle but right now I really relish the little things, the opportunities and connections that present themselves when I sifting through all my detritus looking for that right piece. The spontaneity is the thing for me lately...maybe that is a guiding principle?
How about you?
Cordula Kagemann said… Thank you Todd for your kind message! I love your artwork!
Cory Peeke said… Thanks, Todd. I'm very intrigued by your work. Thanks for the add.
-cory
Thanks Todd, I started to really dislike what I was doing and took a break. I seem stuck lately and have not been on this site for some time. Your work has inspired me maybe I can start to finish some of the pieces that have been sitting now. Glad you shared the weirdness of the bug thing. Crucified was apt.One question, Do you construct you own boxes? I used to be a carver, primitive, and also did large carved signs which I boxed in. My issue now is the price of framing, simply can't swing it on the large pieces.
You're too kind.
Thank you.
I use a silicon release paper that is used in bookbinding. Think it is the same thing?
Started by ken coleman. Last reply by Susanna Lakner 17 hours ago.
Started by Todd Bartel. Last reply by ken coleman on Sunday.
Started by ken coleman. Last reply by Val MacEwan Apr 28.
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